![]() Maybe not on eye level with BDM hardware but for a fraction of the price. I use Bome Midi Translator to do most of the work and after fiddling a bit with keystroke repeat/delay values I was able to implement the standard transport tools like Jog, Scrub and even Shuttle. SeldomSeenKid wrote:In the last couple of month I invested quite some time in my DIY control panels for DVR and I found that a combination of midi commands and keystrokes works best for custom transport control. Not encouraging in the least, personally.ĭoes DR support any kind of joystick/gamepad controls? I wrote a TP plugin which can emulate those. But the transport protocol they describe in their docs didn't actually work (and is unsupported), and I'm not sure what would be useful from their (supported?) API which anyway is stuck in some ancient version of Python for no good reason and is um, minimally, documented. I've already written/heavily worked on 3 open-source TP plugins for various integrations, and have tried to do a bit with DR in the past. I'm on their Discord server (though I share your sentiments on that as a support tool) and I can't figure out who Arnel (or Arbi) may be, nor is there any real info on a DR plugin there either (that I can find, anyway. Besides the icon pack which is on TP site already. Where did you get it to begin with? Maybe I'm blind but besides the several videos and the posts here I can't find any mention of any DR plugin for TP. TonyGamble wrote:I can't get mine to work and I seem to remember it is important to have the screen on the PC set in a certain way. (well RAW isn't actually any image but thats another topic). Linear/flat color profiles are MEANT to be graded, they are not the final image anymore than RAW is. theres no color and its all washed out" then you know you've got a great starting point. many use "filmic pro" on the iPhone, which also has the advantage of being 10 bit (more colors) Imagine showing a "normal" person a video filmed with a flat profile and they say "oh my gawd, that looks terrible. But any phone or camera worth shooting will have a linear or flat profile. If you look up "color grading" on YouTube it will make more sense than me explaining. But in general, on any camera shooting a "flat profile" gives us more wiggle room to push and pull colors. Its the closest to RAW Blackmagic can get due to legal issues. except we have BRAW in the Blackmagic world. We have GREAT latitude for changes without corrupting the image with RAW. in the photography world we have RAW, and that give us the most control. but if you already know that, no worries. Shooting flat profiles and grading is what makes a huge diference. On YouTube, some great tutorials can be found by Darren Mostyn, and many others. I dont know your level of proficiency in working with color, but if its a "not gonna bother" thing" I highly suggest you do some basic tutorials on color grading in resolve. ![]() you can live without it but it makes editing more fun and more precise. Sort of how you can use a mouse to do what you're currently using the scrub wheel on the speed editor. when it comes down to it you can achieve the same results without hardware rollers, just takes more time. Color grading on roller balls is an age old method, hence the ball appearance in the color page. you don't need to buy tangent devices black magics resolve panel is awesome but expensive. but any "ball" type of mouse could work in general. I dont think you can use "tangent hub" by itself. And the "tangent hub" is nothing more than software for their hardware (for remapping). Well, the tangent devices are more for color grading.
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